The Cage
2014 My main sources of inspiration were the duality in the meaning, which according to Philip Vellacott in “Ironic Drama: A Study of Euripides’ Method and Meaning” is a main characteristic of drama, as well as the arguments and contrasting opinions that were raised by Heiner Muller’s “Medeaplay”. Starting with two faces that contradict each other, one symbolizes happiness and the other is a representation of cruelty and destruction, both of which are the faces of the same character, Medea. Those are placed on a cage instead of a head that holds the mind of a mysterious inhuman creature. On the one side it is well closed on the other it ‘bursts’ onto the wall. Looking through its eyes one sees something different from each façade. A look through the mask of happiness betrays her dark thoughts, while the horrible mask of destruction covers a more feminine and sensual side of her. The audience looks inside her mind, but then is welcomed to be found in it and meet her in a live performance.